MonkeyFunk
08-27-2006, 05:03 AM
Amazon reviews of anime are usually good for a laugh (seriously, check them out some time), but this takes the cake:
Unduly Hyped Movie Summarized in Parody: "A Demon's Curse has infected my Arm and its Hatred will spread until We're all dead!!", March 4, 2006
Witnessing the reviews from one moral relativist and movie-sheeple after another, I can without insecurity declare that there's a reason the mainstream doesn't hold "opinions" (read: undereducated ignorance) from those in the entertainment community in much esteem. Similarly, all these misjudging sheeple misallocating severe praise for Mononoke are as, if not more dangerously, ignorant of basic morals and awareness as their idols in the entertainment field who force feed them these societally poisonous features!!!!
What ails most of the reviewers stealing such undue praise for Mononoke is likely their zealous, self-righteous "distinction" as movie buffs or fans of animation/anime. In that afflicted state, they'll unduly praise ANYTHING from the anime field--especially features by that environMENTALIST Miyazaki--because they prioritize their pleasure from the film over the grave implications such an unaccountable movie involves.
Hayao Miyazaki-AKA, the Japanese Walt Disney-is scandalously a liberal/socialist ideologue; this damnation of him is irrefutably clear just by watching all that smut he passes of as cartoons/animation. In all his cartoon-movies, the viewer is imminently fated to endure one of several, merciless ploys Miyazaki tactically plants in ALL his films:
1) A menacingly zealous "concern" for the environment which includes proselytizing viewers to become more environMENTAL
2) A corresponding defamation towards the capitalist/industrialist practices of mankind in some form of self-hatred
3) Misuse of the concept of death to punctuate his environMENTALIST brainwashing
4) Exploitation of generically "harmless" and "innocent" vehicles (like cute animals) as a disguise to hide behind while imposing his radical indoctrination
Miyazaki, therefore, is inexcusably condemnable for using his films to push through a dangerous and fanatical agenda; this stealthy mischief is on par with Hollywood fiercely pushing through a pro-gay agenda on the mainstream (BrokeSACK Mountain) without admitting it!!!! This is unquestionably a menacing development because those targeted due to the appeal of the cartoony quality of anime are easily susceptible children. So, what you have here is in fact the dastardly, age-old liberal/socialist maneuver of mendaciously marketing to young children to indoctrinate them all the easier!!!!
Princess Mononoke is also censurable in additional aspects like its story and character development--or, rather, ABSENCE of it. While Miyazaki torturously battles to punctuate his indoctrinating message that war and polluting the environment are bad, he exploits the lowest ways of conveying that message. In example, to agonizingly drive home his ideological belief that war's "bad," Miyazaki inexpertly manipulates his characters to use the buzz words of "die," "death," "kill" and so on literally a thousand times over in his simplistic movie and his voice actors to be unnaturally cancerous when delivering dialogue!!!! This grating monotony wears down one's patience with the film because it's an insult to the intelligence; it, in effect, discloses to the viewer that Miyazaki's not thoughtful enough to sell his message with more subtlety or tactfulness. In that mistreatment, my accusation of Mononoke's lapse in strong themes is vindicated because if Miyazaki's messages would really be clear-cut enough, they wouldn't necessitate such brutal abuse in calling attention to the ideologies Miyazaki's scheming to brainwash the audience with.
Yet another complaint I eluded to was the misuse of the voice actors' ferocity; their delivery dilapidated into parody due to the overwrought emotionalism, which actually fails to succeed at that and instead becomes melodramatic and affected dialogue. Most voice actors deliver their lines with such simplistic screaming in an impersonation of legitimate "profundity" that the appearance coming across resembles people without voice-modulation ability!!!! Such simple-minded forcing of deliverance is a confirmable taint of what a horrid, overall product Mononoke is.
Continuing its trespasses, Mononoke imitates the perception that it was created by a sick sadist due to its bloodthirsty excesses of gore and violence. What curses Mononoke as misusing gratuitous violence is that most of the scenes with beheadings, limb severing and mass killing are NEVER central to the, by now, blurry direction of the story. In this maltreatment, Miyazaki's dishonored as a hypocrite because of his supposed despisal of violence in his anti-war brainwashing, yet he contrastingly uses the most extreme violence in delivering his "art."
Mononoke does have subtle, grudgingly salvageable qualities: the 2-D animation's unsurpassed due to its life-like fluidity. Now that's Disney's on hiatus with producing 2-D masterpieces, Miyazaki's sadistically violent and polluted "entertainment" is a satisfactory fill. However, judging Miyazaki's works alongside Disney, it's clear to ANYONE except these Miyazaki-fanatics who subordinate to every product he releases that his animation is scores inferior to Disney; Miyazaki's works come short of featuring realistic and natural movements in the drawings. Keep children away from this incitement to violence this movie is. The hypnotized reviewers subordinate to Miyazaki are inarguably the most unreasonable partisans because they fail to substantiate why Princess Mononoke's themes are allegedly so "powerful"--unlike I, who've absolutely made my criticism clear!!!!
By the way, this is the screenname the author goes by:
Nero's Fire Against The Christians "Murmillo Gladiator" (A Coward's Mother Does Not Weep)
Unduly Hyped Movie Summarized in Parody: "A Demon's Curse has infected my Arm and its Hatred will spread until We're all dead!!", March 4, 2006
Witnessing the reviews from one moral relativist and movie-sheeple after another, I can without insecurity declare that there's a reason the mainstream doesn't hold "opinions" (read: undereducated ignorance) from those in the entertainment community in much esteem. Similarly, all these misjudging sheeple misallocating severe praise for Mononoke are as, if not more dangerously, ignorant of basic morals and awareness as their idols in the entertainment field who force feed them these societally poisonous features!!!!
What ails most of the reviewers stealing such undue praise for Mononoke is likely their zealous, self-righteous "distinction" as movie buffs or fans of animation/anime. In that afflicted state, they'll unduly praise ANYTHING from the anime field--especially features by that environMENTALIST Miyazaki--because they prioritize their pleasure from the film over the grave implications such an unaccountable movie involves.
Hayao Miyazaki-AKA, the Japanese Walt Disney-is scandalously a liberal/socialist ideologue; this damnation of him is irrefutably clear just by watching all that smut he passes of as cartoons/animation. In all his cartoon-movies, the viewer is imminently fated to endure one of several, merciless ploys Miyazaki tactically plants in ALL his films:
1) A menacingly zealous "concern" for the environment which includes proselytizing viewers to become more environMENTAL
2) A corresponding defamation towards the capitalist/industrialist practices of mankind in some form of self-hatred
3) Misuse of the concept of death to punctuate his environMENTALIST brainwashing
4) Exploitation of generically "harmless" and "innocent" vehicles (like cute animals) as a disguise to hide behind while imposing his radical indoctrination
Miyazaki, therefore, is inexcusably condemnable for using his films to push through a dangerous and fanatical agenda; this stealthy mischief is on par with Hollywood fiercely pushing through a pro-gay agenda on the mainstream (BrokeSACK Mountain) without admitting it!!!! This is unquestionably a menacing development because those targeted due to the appeal of the cartoony quality of anime are easily susceptible children. So, what you have here is in fact the dastardly, age-old liberal/socialist maneuver of mendaciously marketing to young children to indoctrinate them all the easier!!!!
Princess Mononoke is also censurable in additional aspects like its story and character development--or, rather, ABSENCE of it. While Miyazaki torturously battles to punctuate his indoctrinating message that war and polluting the environment are bad, he exploits the lowest ways of conveying that message. In example, to agonizingly drive home his ideological belief that war's "bad," Miyazaki inexpertly manipulates his characters to use the buzz words of "die," "death," "kill" and so on literally a thousand times over in his simplistic movie and his voice actors to be unnaturally cancerous when delivering dialogue!!!! This grating monotony wears down one's patience with the film because it's an insult to the intelligence; it, in effect, discloses to the viewer that Miyazaki's not thoughtful enough to sell his message with more subtlety or tactfulness. In that mistreatment, my accusation of Mononoke's lapse in strong themes is vindicated because if Miyazaki's messages would really be clear-cut enough, they wouldn't necessitate such brutal abuse in calling attention to the ideologies Miyazaki's scheming to brainwash the audience with.
Yet another complaint I eluded to was the misuse of the voice actors' ferocity; their delivery dilapidated into parody due to the overwrought emotionalism, which actually fails to succeed at that and instead becomes melodramatic and affected dialogue. Most voice actors deliver their lines with such simplistic screaming in an impersonation of legitimate "profundity" that the appearance coming across resembles people without voice-modulation ability!!!! Such simple-minded forcing of deliverance is a confirmable taint of what a horrid, overall product Mononoke is.
Continuing its trespasses, Mononoke imitates the perception that it was created by a sick sadist due to its bloodthirsty excesses of gore and violence. What curses Mononoke as misusing gratuitous violence is that most of the scenes with beheadings, limb severing and mass killing are NEVER central to the, by now, blurry direction of the story. In this maltreatment, Miyazaki's dishonored as a hypocrite because of his supposed despisal of violence in his anti-war brainwashing, yet he contrastingly uses the most extreme violence in delivering his "art."
Mononoke does have subtle, grudgingly salvageable qualities: the 2-D animation's unsurpassed due to its life-like fluidity. Now that's Disney's on hiatus with producing 2-D masterpieces, Miyazaki's sadistically violent and polluted "entertainment" is a satisfactory fill. However, judging Miyazaki's works alongside Disney, it's clear to ANYONE except these Miyazaki-fanatics who subordinate to every product he releases that his animation is scores inferior to Disney; Miyazaki's works come short of featuring realistic and natural movements in the drawings. Keep children away from this incitement to violence this movie is. The hypnotized reviewers subordinate to Miyazaki are inarguably the most unreasonable partisans because they fail to substantiate why Princess Mononoke's themes are allegedly so "powerful"--unlike I, who've absolutely made my criticism clear!!!!
By the way, this is the screenname the author goes by:
Nero's Fire Against The Christians "Murmillo Gladiator" (A Coward's Mother Does Not Weep)