One of the all-time great shorts. A showcase of the workings of animation and a tour-de-force for Daffy Duck. Inventive and off-the-wall, Duck Amuck shows just how well realised Daffy's personality is, as well as the comic talent of his director. That Chuck Jones can sustain an audience's interest with just the character, with very little in the way of fancy backgrounds or unneeded clutter, for the whole length of the film, is a tribute to the strength of the team at the Warner Bros. studios of the time.
Daffy is priceless as he tries to remain calm about his predicament, hoping that the animator will make his mind up, but his true colors show through soon enough. His explosive outbursts only add to his tormentor's (and the audience's) enjoyment. Indeed no other character in animation has the ego, the screen presence, or the follies necessity to carry this kind of picture; even the similar Bugs short "Rabbit Rampage" falls shorts because his character doesn't fit into this kind of narrative structure. In many ways Bugs is a god, something for mere mortals to aspire toward, while Daffy is who we really are.
(Chuck Jones's) Daffy is never in control, as much as he'd like to think that he is. He's a bundle of nerves, a perfectionist who cannot achieve perfection, in him we see ourselves and our own failings. This identification with Daffy as he tries to keep some sort of order in things outside of his control, reflects the real lives of us in the real world; we aren't in control of our world any more than Daffy is in control of his. And in his achieving this connection, he has become one of the few true really iconic characters, either in animation, or folklore, ever created.