animated movie The Adventures of Tintin: The Secret of the Unicorn © Amblin / Weta Productions / The Kennedy/Marshall Company / WingNut Films
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The Adventures of Tintin: The Secret of the Unicorn

Combining the stories of The Crab with the Golden Claws, The Secret of the Unicorn and Red Rackham's Treasure, the film features Tintin's first encounter with the multi-millionaire seafaring Merchant Marine, Captain Haddock. Tintin and Haddock are joined by bumbling detectives Thomson and Thompson and together they embark on a treasure hunt to find a sunken ship that was commanded by Capt. Haddock's ancestor, Sir Francis Haddock.

see also: The Adventures of Tintin (TV Series)
lupercal's avatar
rated it:
Well, I actually quite enjoyed this movie, more than I was expecting. I'm going to keep this uncharacteristically brief, because I think there's a bit of a temptation to overanalyse...
athena's avatar
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This is a movie that I feel like I should've enjoyed a lot more than I actually did. For one thing, it's a Steven Spielberg film with a lot of...
starlac's avatar
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There are a lot of big names here, Steven Spielberg and Peter Jackson the mains, but also the three writers of Steven Moffat (head writer of Doctor Who), Edgar Wright...
Created by: Amblin, Weta Productions, The Kennedy/Marshall Company, WingNut Films
Language: English
Country of Origin: USA / Belgium / New Zealand
Featuring the voices of:
Jamie Bell ... Tintin
Andy Serkis ... Captain Haddock
Simon Pegg ... Thompson
Nick Frost ... Thomson
Daniel Craig ... Red Rackham
Tony Curran ... Lieutenant Delacourt
Toby Jones ... Aristides Silk
Gad Elmaleh ... Omar Ben Salaad
Daniel Mays ... Allan
Mackenzie Crook ... Ernie
Cary Elwes ... Pilot
Directed by: Steven Spielberg
Executive Producers: Ken Kamins, Nick Rodwell and Stephane Sperry
Musical Score by: John Williams
Writing Credits: Steven Moffat, Edgar Wright and Joe Cornish
Based on: the comics by Georges "Hergé" Remi

from the cover of Empire MagazineTintin will be done in motion-captured CGI. Peter Jackson said of the process that he felt it was the best way to preserve the stylization and artistic feel of Hergé's artwork while still making the world feel photo-real. ~ Empire Magazine, November 2010

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