This surrealistic 20 minute short film almost defies a synopsis. At its beginning a man peers into a Kinetoscope machine in a mouldering antique museum, and watches as the strings holding central character are cut. Released, this gaunt puppet-like figure then wanders into the dark, nightmarish vistas of the Street of Crocodiles, where he collects screws, is beset by blank eyed children's dolls who transplant his head; witnesses unexplained scenes of decay and sinister mechanical decrepitude, before finally leaving, or perhaps escaping.